Tetzaveh 5768 – Gilayon #536
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Parshat Tetzave
YOU SHALL MAKE A BREASTPIECE OF
JUDGMENT, WORKED INTO A DESIGN. YOU SHALL MAKE IT LIKE THE WORK OF THE
EPHOD… AND YOU SHALL FILL INTO IT STONE FILLINGS, FOUR ROWS OF STONES… AND THE STONES SHALL
BE FOR THE NAMES OF THE SONS OF ISRAEL TWELVE, CORRESPONDING TO THEIR NAMES… THUS SHALL AARON CARRY THE NAMES OF THE SONS OF ISRAEL IN THE
BREASTPIECE OF JUDGMENT OVER HIS HEART WHEN HE ENTERS THE HOLY, AS A
REMEMBRANCE BEFORE THE LORD AT ALL TIMES. YOU SHALL PLACE THE URIM AND THE
TUMMIM INTO THE BREASTPIECE OF JUDGMENT SO THAT THEY WILL BE OVER AARON'S HEART
WHEN HE COMES BEFORE THE LORD, AND AARON WILL CARRY THE JUDGMENT OF THE
CHILDREN OF ISRAEL OVER HIS HEART BEFORE THE LORD AT ALL TIMES.
(Shemot 28)
Rabbi Eyneini bar Sasson said: Why was
the chapter on sacrifices placed adjacent to the chapter on the priests'
garments? To teach you: Just as sacrifices atone, so do the garments of the
priests atone…
The breastpiece
atones for the judges, for it is said: You shall make a breastpiece
of judgment.
(Zevahim
88b)
a breastpiece of
judgment which atones
for the perversion of justice (Zev. 88b). Another interpretation: [The breastpiece is
referred to as] judgment because it clarifies its words and its promise
comes true.
(Rashi Shemot 28:15)
You shall make a
breastpiece of judgment, worked into a design – Scripture mentions design only with
regard to the ephod and the breastpiece,
because it denotes that the atonement it grants is for a private sin in
which thought is equivalent to action. This exists only in the case of avoda zara – idolatry
– as explained above with reference to the ephod; the breastpiece atones for perversion of judgment,
for judgment is determined by the heart of the judge, for the judge has
only that which his eyes see, and it is in his power to call right left and
left right, depending upon the case and the person and the times and the place,
and if the judge says that this is the way he sees it. Who can contradict him
other than God alone, who investigates the hearts of men? Therefore the breastpiece was worn on Aaron's heart, for judgment
is assigned to the heart, and therefore it was a creation of design to
atone for the thoughts of the judge [In Hebrew "design" and "thought"
are related] as is written; a breastpiece of
design; make it in the style of the ephod, to teach that perversion of judgment
is the equivalent to idolatry, as the Sages said, "Appointment of a
dishonest judge is equivalent to planting an asheira
– a tree used in idolatry" (Sanhedrin
7).
(Kli
Yakar, Shemot 28)
From Urim ve'Tumim to Orot va'Tom [Lights
and Sincerity]
Dalia Marx
It becomes noteworthy that so few verses of Bereishit are devoted to the story of the creation of
humans when they are compared to the vast quantity of texts describing the
construction of the Tabernacle. God's commands to Moses, Moses' instructions to
the people, and the account of the actual construction, including descriptions
of the priestly clothing and the High-Priests vestments, make for a quite long
stretch of writing.
Tradition speaks of the High Priest's "eight
vestments." Why eight? Perhaps because in Jewish tradition the number
eight represents that which is beyond nature – it is the first to come after
the seven days of the week, after the seven days of Creation. And if seven
symbolizes nature, eight symbolizes the sacred which is beyond the natural
world. A baby boy enters into the covenant of our Father Abraham on the eighth
day of his life, marking, to borrow Lévi-Strauss's
terminology, the passage from nature to Jewish culture. The miracle of the vial
of oil (and the Hanukah holiday that commemorates it) lasted eight days. The
beginning of the reading of the Torah, that wonderful gift which pre-existed
Creation, takes place on the eighth day of Sukkot. Our
haftorah also alludes to the
number eight's special significance (Ezekiel
43:23). Eight is also the number of vestments worn by the High Priest;
they symbolize his status and role, and they symbolize the leap from the
natural world to the world of spirit.
Parashat Tetzave contains the command to prepare the High Priests'
clothing: the breastpiece, ephod, robe, tunic,
headdress, sash, trousers and frontlet. In the following discussion, we shall
concentrate our attention on the most puzzling and mysterious element of the
High Priest's attire, one which is not included in the list of eight vestments
but which remains, nonetheless, something he wore, i.e., the Urim and Tummim:
You shall place the Urim and the Tummim
into the breastpiece of judgment so that they will be
over Aaron's heart when he comes before the Lord (Shemot 28:30).
While the Torah relates detailed instructions
regarding the construction of everything else related to the Tabernacle,
nothing is said about how the Urim and Tummim were made. Furthermore, while all of the names of
objects in the Tabernacle (ark, table, menorah, etc.),
take an indirect article, the Urim and Tummim take a direct article. Indeed, a great mystery
awaits anyone who wants to discovery the nature of the Urim
and Tummim, how they looked, what they were made of,
and what was their exact function…
The doubling implied by the names Urim and Tummim [both of which
are plural nouns] has been understood in various ways. Some suggested that the Urim and Tummim served as a kind
of lie detector, signaling whether someone was arur
[accursed] or tam [innocent]. The Babylonian Talmud (Yoma 73b) tells us: "Whywere they called Urim and Tummim?
Urim – because they illuminate [me'irin]
their words; Tummim – because they complete [tam
can also mean "complete"] their words." Rashi
explains the latter half of the dictum: "Their decree is not rescinded,"
i.e., their decrees are always fulfilled. The Jerusalem Talmud (Yoma 38b) agrees
with the explanation of the Urim, but regarding the Tummim, is states: Tummim – that
they straighten [metimin] the way for them,
that when Israel was innocent [temimim] they
[the Tummim] would show them the way." Accordingto this explanation, the Urim and Tummim
were not an oracle per se; rather, they led a
person on the way he wanted to travel to begin with. [1] In the Vulgate (the Latin
translation of Scripture) the term is rendered Lux
et Veritas (light and
truth). These words appear in the coat of arms of Yale University.
According to Rashi's
comments on the verse cited above, the Urim and Tummim were "the inscription
of the explicit Name, which he [the High Priest] would place within the folds
of the breastpiece." Someone has compared the Urim and Tummim to a kind of
battery which breathed the Holy Spirit into the stones of the breastpiece. Without them, the breastpiece
would be nothing more than a fine item of jewelry. The priest would ask a
question and the stones of his breastpiece, each of
which was engraved with the name of a different tribe of Israel, would light up
one after the other in a certain order that would relay the response.[2]
Opposing a man called Rabbi Avraham[3] who had suggested that the Urim and Tummim were "made
by a craftsman from gold and silver" and who thought that "they were
akin to the forms which the astrologers make in order to know the thoughts of
the one who comes to ask of them," the RaMBaN
states: "Neither craftsmen nor the congregation of Israel had any part
whatsoever in their making or in their donation, for they were a secret
transmitted by the Almighty to Moses, and he wrote them in holiness, or they
were of heavenly origin" (ibid).
Ibn Ezra relates to the Urim
and Tummim only indirectly, and, as his custom, he
barely shares anything of his opinion, say that it is a "deep secret"
that should not be revealed in public.
The puzzling nature of the Urim and Tummim fascinated
mystics, thinkers and writers throughout the generations, and they were
interpreted in many different contexts. For example, the Urim
and Tummim play an important role in Paulo Coehlo's novel, The Alchemist. There were even those
who claimed to have used the Urim and Tummim to write things under the influence of the Holy
Spirit. Joseph Smith, Jr., the founder of Mormonism, made that claim.
We have cited several avenues of
interpretation and explanation of the role of the Urim
and Tummim without the any pretension of
understanding their secret mechanism or how they were used. We shall not
investigate that which is hidden from us but rather suggest a few thoughts
regarding the function of the Urim and Tummim.
The use of instruments such as the Urim and Tummim comes to satisfy
the desire to receive clear answers directly from the Holy One blessed be He to
questions which trouble us in our confusing and unclear world. They come to
answer a constant human need by way of a mechanism that grants precise
knowledge of God's will. This can calm and comfort an undecided soul. However,
clear and absolute knowledge of the right and the good is not always possible,
and it certainly cannot be attained through some kind of mechanical action. The
comforting answer of the Urim and Tummim
has been revoked, just as the test of the sota
[the woman suspected of adultery] has been revoked. It is in the nature ofhuman beings that their doubts can continue to haunt them. Absolute answers
will not rid us of doubts; only the conscious decision to choose the good – despite
our doubts – can relieve us.
Use of the Urim and
Tummim ended sometime during the First Temple Period.[4] This means that it was a
temporary and local practice, which symbolized a particular kind of
relationship between the Israelites and their Father in Heaven. We may view it
as constituting one of five stages in the development of the relationship
between the nation and its God.
The first stage was characterized by a
direct and unmediated link between the nation's ancestors and the Holy One
blessed be He. They turned to God in their distress
without the help of intercessors or fixed rituals. In the second stage the
connection between God and His people mostly took place through the medium of
tangible signs such as the pillar of cloud and the pillar of fire, the sounds
at Mount Sinai, and the Urim and Tummim,
which offered a way to communicate with God and understand His words. While
Moses achieved direct revelation of God, Joshua needed the judgment of the Urim in order to receive God's word (Bamidbar 27:21). In the third stage, prophets – those
visionaries of great spirit who brought divine
messages to humans, – transmitted God's word to His people. This was no longer
a matter of curt answers supplied by oracles, but rather of deep and pointed
ethical statements that remain relevant even today.
The Sages tell us the prophetic period was
followed by a new stage in the relationship between Above and below: "Our
Rabbis taught: Since Haggai, Zachariah, and Malachi died, the Holy Spirit has
deserted Israel, but even so they made us of a bat kol
[heavenly voice]" (Sotah48b)
. The bat kol was a kind of minorprophecy; it was of lesser value than the prophecies brought by the great
prophets, but it did bring God's voice to Israel. For instance, it decided the
famous disagreement between the School of Hillel and
the School of Shammai (Eruvin 13b). Such was the fourth stage of the
history of the link between Heaven and humans. Eventually, the bat kol was also deposed. There was a later attempt to use
a bat kol to resolve a halakhic
dispute in the story of tanuro shel akhna'i, but then rabbi Yehoshua rose up and proclaimed: "It is not in Heaven
– we pay no attention to a bat kol" (Bava Metzia
59b).
Where do we stand today? We lack a direct
link with God; we can not speak with Him as people speak with each other. We
cannot (and perhaps do not want to) communicate with God via signs such as the Urim and Tummim. The great
prophets are no more, and we can't even hear the bat kol.
The loneliness of the modern individual, including that of the believing
individual, can be unbearable. We want to be rational and reasonable, even
while there remains a place in our hearts that still yearns for the Urim and Tummim, for clear,
absolute and final answers. That yearning seems to come to the fore in times of
uncertainty and anxiety. In such times we question whether the spiritual
evolution described above was completely progressive.
We know that we cannot engage in simple and
automatic communication with God, receiving His answers in the form of patterns
of lit-up stones on the breastpiece. However, that
does not prevent us from hoping to find ways to reach out o the Eternal, to the
Divine.
Here I think we arrive at the fifth stage,
the one in which we live. We seek the light and ephemeral touch, the
occasional, tremulous, and almost intangible touch of the holiness, of
revelation, of connection with God. These are available to us – even if we do
not always take notice of them – when we see a budding tree or a laughing baby,
when we encounter an old woman's wisdom, or in moments of love, in those seconds
when eyes meet to find nothing but innocence and friendship, in a instant of intentful prayer, in the many lights and shadows offered up
by our human existence.
We recognize the fragmented nature of the
answers that await us, we know they are subjective. But we can admit to
ourselves that even these, in lights and sincerity [orot
and tom], there is no small measure of
consolation, if we only know to take notice of them.
Dr. Dalia Marx
is spending this year as a visiting lecturer in Berlin, where she is teaching
at Potsdam University and the Abraham Geiger College.
To raise up an eternal
lamp
This terminology for the lighting of the lamp appears in the Bible only
in reference to the service of the menorah. The language is precise, for
the mitzva is to light the wick "until
the fire burns on its own" (Shabbat 21),
meaning: The task of the Torah teacher is to make himself superfluous! The
priest should not place the laity in a status of perpetual dependency upon him.
From this we hear a warning to teachers and student to practice mutual patience
and forbearance.
(Rabbi S. R. Hirsch on Shemot 27:21)
Or [leather] and Or [light], Clothing and
Culture: Make Holy Clothing
Clothing is not only protection against cold, is not only
decoration, it is the first and essential distinguishing factor of human
society; it is – in man's moral sensitivity – man's superiority over the
beast. The rank and honor of man are recognized by the signs attached to
his clothes. Clothing is an expression of respect for Man. The priests were
given special clothing, for dignity and adornment.
…In His glory, God gave man and his wife garments
and dressed them. Thus we are told that a garment is not only a consensual
convention; it is an addition to the act of creation, a kind of second skin
given man, a more noble sort of physicality. How beautiful is Rabbi Meir's teaching comparing man to his Creator: "Garments
of light" – [The Hebrew for "skin" sounds very much like the Hebrew for "light"] – for in reference to The Holy
One, Blessed Be He, it is written: He wraps Himself in light as in a garment
(Psalms 104:2 )" (Bereishit Rabba, 20:29).
(From Benno
Yaakov's commentary on Bereishit,
quoted by Nechama Leibowitz,
z"l)
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[1] On this and other matters concerning the Urim and Tummim, see Dr. Haim Rubenstein's article in Shabbat Shalom for parashat Tetzave 5760.
[2] See the RaMBaM's
fascinating description in Hilkhot Klei HaMikdash 10:11.
[3] Some believe that this person is none other
than Avraham Ibn Ezra, but
this explanation of the Urim and Tummim
does not appear in known versions of Ibn Ezra's
commentaries. These passages are quoted from Chavel's
translation of RaMBaN on the Torah.
[4] See Eliezer
Schwartz's article in Shabbat Shalom for parashat Tzav 5763 for a historically oriented discussion of the Urim and Tummim.