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That they take you a perfect red cow
That has no blemish and on which no yoke has been put.
And you shall give her to eleazar
the priest...
(Bemidbar 19:2-3)
We have already explained that the whole intention with regard to the Sanctuary was to affect those that came to it with a feeling of awe and of fear; as it says: Ye shall fear My Sanctuary. Now if one is continually in contact with a venerable object, the impression received from it in the soul diminishes and the feeling it provokes becomes slight. The Sages, may their memory be blessed, have already drawn attention to this notion, saying that it is not desirable that the Sanctuary should be entered at every moment, and in support quoted its dictum: Let thy foot be seldom in they neighbors' house, lest he be sated with thee and hate thee. This being the intention, He, may He be exalted, forbade the unclean to enter the Sanctuary in spite of there being many species of uncleanness, so that one could - but for a few exceptions - scarcely find a clean individual. For even if one were preserved from touching a carcass of a beast, one might not be preserved from touching one of the eight creeping animals, which often fall into dwellings and into food and drink and upon which a man often stumbles in walking... Thus all of this was a reason for keeping away from the Sanctuary and for not entering it at every moment. You know already what [the Sages] literally say: Even a clean man may not enter the Hall for the purpose of performing divine service before having immersed himself [in water]. In consequence of such actions, fear will continue and an impression leading to the humility that was aimed at will be produced. To the extent that a certain kind of uncleanness was more frequent, purification from it was more difficult and was achieved at a later moment. Being under the same roof as dead bodies, more especially those of relatives and neighbors, is more frequent than any other kind of uncleanness. Accordingly one is purified from it only by means of the ashes of a [red] heifer, though these are very rare, and after seven days.
(Rambam,
The Guide of the Perplexed, [Pines translation], III, 47)
[This may be explained] by
homiletic exposition which appears in the commentary of Rashi z"l "That they take you a red cow" - they
shall take you of their own, just as they participated in the sin
of the calf and removed their gold rings as is written (Shemoth
To Eleazar the priest - because they had assembled against Aharon the priest to make the calf, and because Aharon had made the calf, he was not assigned this task, because a 'prosecutor cannot become counsel for the defense'. And he shall burn the heifer, just as the [golden] calf was burned.
(Rabbeinu Behaye, ibid.
ibid.)
The copper serpent - between art and faith
Dov
Abramson
In this week's parasha we read the surprising and extraordinary story of the copper serpent. This is a unique story of the meeting between art of the image and the prohibition against idolatry; it is one of rare instances in the Bible in which we can relate to the art of image not in the direct context of the injunction against idolatry.
God instructs
Moshe, following
Make for
yourself a viper ["Seraph" - lit. "a
burning-snake"] and put it on a standard and so then, whosoever is bitten
will see it and live. (Bemidbar 2
We note than
in God's instructions to Moshe, the word "serpent" [nachash] is not at all mentioned. Yet we assume that
the word "seraph" is synonymous with the serpent. And what
does Moshe actually do? "And Moshe made a "nachash"
- a serpent - of bronze and he placed it on a standard and it was that if a
serpent bit a man and he looked upon the serpent of bronze, he would live"
(Ibid. ibid, 9).
As we mentioned, "nachash" [viper] and "seraph" [burning snake] are synonymous, Yet it is interesting to note that the material chosen by Moshe for the crafting - bronze- is also absent from God's directive. We must ask ourselves whether or not this was an independent artistic choice on Moshe's part. Rashi writes:
He was not
ordered to make it of bronze, but Moshe said: The Holy One, blessed be He,
calls it nachash, so I will make it of nechoshet [bronze], an alliteration [nechash
nechoshet].
Rashi's explanation is puzzling for two reasons. If God had
used the term seraph, then there is no alliteration. But a more basic
question must be asked - what place is there for wordplay in a decision
regarding the creation of the bronze serpent and the material from which it is
made? In order to understand this, we should try to understand how the bronze serpent
worked. The famous Mishnah in Tractate Rosh Hashanah (3, 8) reads:
The same
lesson may be taught thus. [It is written], 'Make for yourself a fiery serpent
and set it up on a pole, and it shall come to pass that everyone that is
bitten, when he sees it, shall live'. Now, does the serpent kill? Does the
serpent cure? No, [what it indicates is that] when
This Mishnah is difficult to comprehend. Ostensibly, there is no connection between the serpent's mode of operation and its serpent essence. According to this Mishnah, if indeed the heart of the matter is the looking heavenward it would seem that Moshe could have placed on the pole a bat or a frog. Ibn Ezra, in his commentary, reinforces the approach which neutralizes the "serpent-ness" of the serpent; he is careful not to attach any special powers to the snake image:
Yet many erred, saying that this form can receive celestial powers. Forefend and forefend! - the object was fashioned at God's directive, and it is not for us to seek the reason why the serpent form was chosen.
The Ramban offers a completely different approach:
It would have been proper that those bitten by the fiery serpents never again see a serpent nor remember nor recall it at all. But the Holy One, blessed be He, commanded Moshe to make for themselves the image of the serpent which had killed them. Therefore Moshe found no other way to fulfill His command to create a serpent other than by making a bronze serpent, for it has the image of fiery serpent [...] and when a person looks with proper intent upon the bronze serpent which is strongly resembles the live scourge, he is informed that it is God who kills and cures.
Ramban voices an approach according to which Moshe's choice of bronze is not at all arbitrary. His choice stems from the profound principle that part of the cure lies in the fact that the substance which harms is the substance which cures, and thus we express God's being both life-taker and life-giver. This even intensifies the miracle essence of the act; God rules nature wherein the same element both harms and restores.
2. The serpent in the days of
Hezekiah
The next time we encounter the bronze serpent is in the Book of II Kings, in the time of King Hezekiah:
He abolished their
shrines and smashed the pillars and cut down the sacred post. He also broke
into pieces [Hebrew -"v'kiteit"] the
bronze serpent the Moshe had made, for until that time the Israelites had been
offering sacrifices to it; it was Nehushtan. (II Kings
Says the
Talmud in Tractate Berachot (
Our rabbis
taught: King Hezekiah did six things; of three of them they [the rabbis]
approved and of three they did not approve. Of three they approved: He hid away
the book of cures; and they approved of it; he broke into pieces the brazen
serpent, and they approved of it; and he dragged the bones of his father [to
the grave] on a bed of ropes, and they approved of it. Of three they did not approve:
he stopped up the waters of Gihon, and they did not approve of it; he cut off
[the gold] from the doors of the temple and sent it to the King of Assyria, and
they did not approve of it; and he intercalated the month of Nisan during
Nisan, and they did not approve of it. (Soncino translation)
The Talmud quotes a beraita regarding six actions taken by King Hezekiah during his reign, three of which the Sages viewed positively and three negatively. Exceptionally odd is 'He hid away the book of cures', a document never even alluded to in the Bible.
Clarification
is provided by a parallel beraita in the Palestinian Talmud (Sanhedrin 5b):
Hezekiah, King of Judah, did six things; of three of them they [the rabbis] approved and of three they did not approve. Of three they approved: he broke into pieces the bronze serpent, and they approved of it; and he dragged the bones of his father [to the grave] on a bed of ropes, and they approved of it He hid away the tablet of cures; and they approved of it. Of three they did not approve: He cut down the doors of the Sanctuary, and they did not approve; he stopped up the waters of Gihon, and they did not approve of it; he inter-calated the month of Nisan during Nisan, and they did not approve of it.
All of Hezekiah's actions recorded in the Babylonian Talmud are identical with those appearing in the Palestinian Talmud, excepting the former's replacement of "hid away the tablet of cures" with "hid away the book of cures. In his commentary "Iggude HaTalmud", the researcher Moshe Benovitz suggests that the hiding of the tablet of cures and the smashing of the bronze serpents are actually the same act, but because of editorial considerations they were divided into two different acts. Benovitz brings supporting evidence for the determination that the form of the bronze serpents was indeed like a kind of tablet.
At this point we must ask how is the act of smashing compatible with the act of hiding the book of cures.
A source in the Tosefta (Avodah Zara 4, 3) deals with this question:
Said to them
R. Yosi: But it says "He also broke into pieces the bronze serpent the
Moshe had made, for until that time the Israelites had been offering sacrifices
to it". They replied: Was this idolatry?! Did not Moshe make it! This is
to teach that
Benowitz writes: It seems that they interpreted "kiteit" as "struck" rather
than as "smashed", as the verb is used in Hebrew and in the
Babylonian Talmud. In other words, he struck the tablet once so as to remove it
from the wall, and then hid it. Say then, that according to one tradition he
hid the Nechushtan which stood on the banner and was hung, it seems, on the
wall of the
3. Summing up the serpent
The uncommon reality of God himself commanding the creation of a sculpted figure opens the door to many questions about the nature of this figure's function and the manner in which it was perceived by the Jewish people, and the attitude of Chazal, exegetes and researchers towards it. This attitude oscillates between relating to the serpent's powers as a decree whose specific essence is not open to inquiry, and highly graphic explanations which relate the serpent's specific form and specific powers to natural and supernatural matters.
It is interesting to note that this serpent, created at God's command, could not help but enter the circle of idolatry. It is almost inevitable that such an object - from a Biblical perspective - should, sooner or later, become a focus of worship. Then along came King Hezekiah and - whether by a single hammer blow, or whether by crushing and smashing the Nechustan to fine powder - left us with the secret of the serpent to ponder forever.
Dov
Abramson is a designer and artist who deals with
contemporary Jewish-Israeli identity. His work "Zman
Nekat" is on exhibit at the Schechter Institute
of Jewish Studies in
God has no desire for human
sacrifices
Thus says Scripture: "The
fruit of the righteous is a tree of life; A wise man
captivates people." (Proverbs
"There was his daughter
coming out to meet him... on seeing her, he rent his clothes and said 'Alas,
daughter... for I have uttered a vow to the Lord and I cannot retract" (Ibid, 34-35) But Pinchas
was present!? Why did he say "I cannot retract"? But Pinchas said: I am a high priest, how can I go to a boor? Yiftach said: I am head of the judges of
Because he wanted to sacrifice
her, she cried before him. His daughter said to him, Father, I went out to
greet you in joy, and now you slaughter me? Did The Holy One, Blessed Be He, write
in his Torah that
(Tanhuma, BeHukotai, 5)
"Her paths are paths of pleasantness and all her ways are
of peace"
"Now
this is the Instruction for the slaughter offering of shalom ("Shelamim")": That which is
written "Her paths are paths of pleasantness and all her ways are of
peace" means that everything which is written in the Torah
is written for the sake of peace. And even though the Torah speaks of
wars, this too was written for the sake of peace. You find,
that The Holy One, Blessed Be He, abolished his decree because of peace. When?
When The Holy One, Blessed Be He said to Moshe "When you set siege on a
city for many days" (Devarim 20:
(Tanchuma Tsav, 3)
And from Mattanah to Nahaliel: the Torah
Requires Humility
What is the purport of the Scriptural text, And
from the wilderness to Mattanah, and from Mattanah to Nahaliel,
and from Nahaliel to Bamot, and from Bamot to
the valley (Bamidbar 2
(Eruvin 54a, Soncino translation).
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